"Heavenly Chorus" (U, PPC-210): 16-voice chorus patch. Anonymous. 
SAP 

# This patch is what I consider (IMHO) to be an
# improvement upon my favorite clean patch,
# "Killer Chorus" (F21) which I use most often for
# my melodic work. It requires a second S-DISC
# due to the use of four independently set
# 4-Phase Choruses arranged in parallel feeding
# into a 16x2 mixer. The sixteen chorus outputs
# cover the full range of the 0 to 60 msec range 
# in 4 msec steps which are mathematically arranged 
# in groups such that the average delay is 30 msec.  
# These groups are then arranged in a row with input 1
# panned full left (-50), input 2 panned half left (-26),
# input 3 panned half right (+26), and input 4 panned
# full right (+50). Frequencies ( = 1/time) and times
# are matched in whole number relationships so that
# chorus 'sweep' and 'depth' work better with the two
# 'taps' of the delay which also complement one another.
#========================================
#
# This patch should only be used by those who already
# like using the "Killer Chorus" factory patch and want 
# to try out a smooth 16-voice version of that algorithm.
#
# HEADER SECTION
#
GSP-2101                #Device ID
2.01.01.a                 #Software version
Heavenly Chorus       #Program name
U1                           #Algorithm number
#
#              *Heavenly Chorus*
#                  MLF4GUITAR
#
#MODULE PARAMETERS SECTION
#
Compr      (On, 1.5:1, -30, -6)
Distr         (On, Clean Tube,+ 2.6)
EQ           (+6, +4, +0, +2, +4, +4, +2)  
MVol        (+0)
FxL          (Bypass)
SNgt         (On, -70, +6, 20, 0, 60, +20, 10.0)
2x1           (100, 100, 100)
2TDly2      (On, 0.350, 0.700, 5%, 30, Off)
3x2           (100, -50, 100, +50, 100, +0, 100, 100)
4PChoA    (On, 100, 32.00, 4.00, 40.00, 44.00, 0.25, 12.00)
4PChoB    (On, 100, 60.00, 8.00, 20.00, 48.00, 0.25, 12.00)
4PChoC    (On, 100, 12.00, 56.00, 24.00, 28.00, 0.25, 12.00)
4PChoD    (On, 100, 16.00, 52.00, 36.00, 0.00, 0.25, 12.00)
16x2         (100, -50, 100, -26, 100, +26, 100, +50,
                 100, -50, 100, -26, 100, +26, 100, +50,
                 100, -50, 100, -26, 100, +26, 100, +50,
                 100, -50, 100, -26, 100, +26, 100, +50,
                 100, 100)
D:W         (0%:100%)
#
#ALGORITHM LINK SECTION
#
2x1            <- (Left In, Right In)
2TDly2       <- (2x1 Output 1)
3x2            <- (2TDly2 Output 1, 2TDly2 Output 2, 2x1 Output 1)
4PChoA     <- (3x2 Output 1)
4PChoB     <- (3x2 Output 1)
4PChoC     <- (3x2 Output 2)
4PChoD     <- (3x2 Output 2)
16x2          <- (4PChoA Output 1-4, 4PChoB Output 1-4,
                      4PChoC Output 1-4, 4PChoD Output 1-3,
                      3x2 Output 2)  #This gives the 0 msec delay voice.
L Out          <- (16x2 Output 1)
R Out         <- (16x2 Output 2)
#
# If EIGHT voices on one S-DISC give me the sound that
# I use most often, then it stands to reason that SIXTEEN
# voices on two S-DISCS could only improve upon that sound 
# once arranged correctly.
#
#  If you like it, let me know.